In hub areas you’ll find quest-givers who send you off to specific areas on specific tasks (though these invariably involve bashing and looting), and there’s some kind of story to keep you moving along. Dead monsters mean loot and experience, while gold and equipment can also be gathered by opening chests, smashing urns and moving rocks. You play a lone hero, roaming through wilderness areas and dungeons, moving by clicking on the ground and fighting by clicking on a monster. If you’ve played any of the Diablo games – not to mention Torchlight, Loki, Sacred or Titan Quest – then you’ll already be familiar with the gameplay.
The three playable classes of the original now become four, with the Destroyer, Alchemist and Vanquisher replaced by the Engineer, the Outlander, the Bezerker and the Embermage, all now featuring a limited amount of customisation.
TORCHLIGHT 2 REVIEW SERIES
Like those titles, it’s a classic dungeon-crawling action RPG in the mould of Diablo, but where Fate and Torchlight were constrained to a series of randomised dungeons located beneath a small town, Torchlight II features a larger world with three acts, multiple settings, and a longer quest. Torchlight II builds and expands on the original Torchlight, just as Torchlight built and expanded on the work done by much of the same team for the unreleased Mythos and lead designer’s indie favourite, Fate. There are areas where it can’t hold up to its bigger name rival, but also areas in which – surprisingly – it might actually come out on top. Calling it a Diablo III killer would be classic fanboy hyperbole, but Torchlight II looks and feels just as slick and proves every bit as addictive. You shouldn’t be able to compare a vast blockbuster created by one of the world’s biggest studios in nearly ten years of development with a game three years in the making from a much smaller name, but it’s to Torchlight II’s credit that you can.
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